P.A.: a professional, high quality system, (EV series x array, xi, xlc, x-line; D&B; Meyer; Nexò; V-dosc, d-V-Dosc..) according to the room size; should be actively crossovered ( 3 or 4 ways ) and powered by matched, high quality amps . Should be flown where possible; if not, stacked on risers out of stage. The system should be in Stereo configuration; an indipendent output to feed the subs should be provided where possible; balcony, frontfill and delayline speakers should be installed where necessary and precisely delayed.
F.O.H. MIXING DESK: high quality 12 inputs + stereo fx returns, 6 aux sends pre-post, 4 band eq fully parametric (or with semiparametric mid + 2 shelving), adjustable lo cut, VCA groups (Crest century VX, V12; Midas H.. ; Soundcraft five….). We prefere an anologic consolle; digital consolle only where monitors are driven by a separate mon desk. NO 01, 03, Beheringer digital. F.O.H. position should be centrally located – if possible not under balcony – not behind a window! Provide a talkback mic to stage monitors.
F.O.H. OUTBOARDS: 1 high quality 31 band graphic eq; 3 fx units (Spx 990, PCM 70, 80, 90…); 6 channels high quality compression ( Dbx, Bss, Drawmer…); 1 cd player. Line delays and separate equalizers where front fill, delays and balconies are installed.
MONITORING: high quality 24 inputs, 4 band eq fully parametric or semiparametrics mid + 2 shelving, adjustable lo cut. 2 channels of compression, 1 FX unit, 3 indipendent mixes available, 3 high quality 31 bands graphic eq inserted in outputs, 4 small sized, lo profile wedges, (3 on stage and 1 at monitor mixer position) with 12” woofer (or Nexò PS 10), powered by high quality matched amps.
Where a monitor mixer is provided, an experienced monitor engineer should be available during stage set up, sound check and show.
Where a monitor mix is not provided, f.o.h. desk must be capable of 4 equalized pre aux sends (monitors) and 4 post aux sends (fx)
MICROPHONES / D.I.: check input list; this is the main choice; equivalent mics are acceptable.
STAGE: minimum 4×4 (meters) available for the band. Must be safely reachable. No unnecessary objects should be on stage. We need 3 armless chairs .
SOUND CHECK: At least 1 hour and 15’
INPUT LIST
Ch.n. |
input | Mic/d.i. |
stand |
insert | Note |
1 |
Doublebass | d.i. box attiva |
Power 220v. |
||
2 |
Doublebass | xlr | |||
3 |
Guitar “Dupont” M.Geri | xlr |
Power 220 v. |
||
4 |
Guitar “Dupont” M.Geri | Cardioid mic. | |||
5 |
Guitar J.Martini | d.i. Box attiva |
Power 220 v. |
||
6 |
Guitar J.Martini | Cardioid mic. | |||
7 |
Voice M. Geri | SM58 |
X |
||
8 |
Voice J.Martini | SM58 |
X |
More informations about this technical rider:
- Maurizio Geri: +39.347.6644087 – gerimaus@hotmail.com
- Gianluca Masala: +39.339.3320964 | +39.0571.583410 – gianluca@ranfa.it
STAGE PLAN